Wednesday, 5 December 2007
Wednesday, 28 November 2007
Monday, 26 November 2007
Sunday, 25 November 2007
draft of website
Saturday, 24 November 2007
'Zhe Zhi'-- hand working
Friday, 23 November 2007
Saya Woolfalk: No Place: Wonders from that World
Inspired by a year in Brazil, Saya Woolfalk's new work is a deceptively cute, motley investigation of otherness. The exhibition's title references Renaissance philosopher Sir Thomas More's Utopia, but Woolfalk's interpretation of "no place" is a postcolonial Candy Land populated with fuzzily fleeced and tropical calico-print creatures. Alongside this installation, a single-channel video features two brightly clad dancers in a bizarre, ritualistic duet to what sounds like a bossa nova-spiked Nintendo tune. Her works on paper, particularly the Seven Wonders series, are dreamy, symbol-laden landscapes that imagine an eroticized alternate world of fertility temples and colossal banana-draped monuments, set against backdrops of rainbows and puffy clouds.
[Intro from Saya Woolfalk website]
Ethnography of No Place
A series of short videos by Rachel Lears and Saya Woolfalk
Featuring: Georgette Maniatis, Alicia Ildefonso, Shaun Leonardo, Jean Barberis, Samara Gaev and Elisa Casinader
Narrator: Anaïs Alexandra Tekerian
Technical Support: Audrey K Tran
Ethnography of No Place is a series of collaborative works that document an imaginary world. Constructed from household materials (fabrics, sounds, gestures), the characters and stories evoke travel narratives, science fiction, and academic anthropology to rework tropes of sexuality, gender, and race. The name No Place is derived from the English word, “utopia,” coined by Thomas More from the Greek “no” (ou) and “place” (topos)--literally, no place.
Chapter 1: Self and Landscape. This video re-imagines desire and reproduction through the documentation of an Eden-like environment. The Self and the Landscape collapse into one another and negotiate forms of activity and passivity through their sensual interaction. Self and Landscape premiered at Artists Space Gallery, New York, NY in May 2007.
Chapter 2: Death and Kin. In this video, the Self has aged and reached the end of her life. In gestures evoking the Butoh performance of Kazuo Ohno, she constructs her own tombstone and her relatives mourn her passing. The sentiment of loss breaks down the linearity of time, until finally the body transforms into landscape once again.
Wednesday, 21 November 2007
Looking for Symbols of Consumer Age in China
Now i got the idea of certification.
More and more people are enage on getting certification(such as certification from famous universiy). The symbol of 'certification' become more important than the real meaning. 'Good Certification'= 'ability of person'. Everyone knows that just is a symbol, however everyone follow the rule of game...
So what comes out,
'dummy certification '&'real certification but only bought by money'
'dummy certification '
The normal person can become really famous only because he/she has 'Good Certification'. Finally, some of them exposed. Then they become to normal person again. Does it make sense?
some people said this social make them become to get "dummy certification".
Does unreal certification mean unreal?
Does real certification which only bought by money mean real?
If you walking on the street in the some city of china, you can see plenty of ad."make certification"(the business of making dummy certification).
There are two different bridges in two city.
It is in everywhere
this one on RMB money
on the Building of University (for certification of english or education..etc)
This is in the toliet..
Sunday, 11 November 2007
China Tracy-RMB City
It talks about virtual and real.Something about second life.
Thursday, 8 November 2007
Hiraki Sawa,video works
I like his concept of building normal and real world to the dreaming place.
Hiraki Sawa,Born 1977, Ishikawa, Japan. Basing his artistic production in London, Sawa uses lo-tech video animation to create poetic dreamscapes - ponderings on ideas of time and motion, innocence and alienation, dislocation and displacement.
''Going Places Sitting Down''
Saturday, 3 November 2007
Tuesday, 30 October 2007
1w7 unreal reality.... mirror.....
Something looks exist but still unreal.
In the morden life, everything goes fast. Many people already chose one kind of heterotopia even they may not realized. Foucault metioned the heterotopia can be a real place. I thought this place maybe a unreal reality place.
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PS.A video project i saw on VideoArt.Net
Made By lar peterson hernandez
(looks unreal/supernatural)
Anther Video
The progress of unreal become to real
Monday, 22 October 2007
1w6 Project Proposal
Consumption Utopia in Contemporary Society
Aim:
My aim is to explore what will happen after consumption utopia. Talking about spirit crisis and the bailment of the spirit.Exploring different utopia worlds which from different group of people and find out something in common.
Objectives:
Find out why some people become more indulge in food, interenet,shopping, computer games etn.
Image the how Chinese personal valuation changed after 1990.
Rationale:
On Triton and Other Matters: An Interview with Samuel R. Delany
a major definition of heterotopia; is its medical meaning. It's the removal of one part or organ from the body and affixing it at another place in or on the body. That's called a heterotopia. A skin graft is a heterotopia. But so is a sex change—one of the meanings of the word.
Michel Foucault. Of Other Spaces (1967), Heterotopias.
In the mirror, I see myself there where I am not, in an unreal, virtual space that opens up behind the surface; I am over there, there where I am not, a sort of shadow that gives my own visibility to myself, that enables me to see myself there where I am absent: such is the utopia of the mirror. But it is also a heterotopia in so far as the mirror does exist in reality, where it exerts a sort of counteraction on the position that I occupy.
The mirror functions as a heterotopia in this respect: it makes this place that I occupy at the moment when I look at myself in the glass at once absolutely real, connected with all the space that surrounds it, and absolutely unreal, since in order to be perceived it has to pass through this virtual point which is over there.
Mirror stage-Jacques Lacan'sThe
mirror stage describes the formation of the Ego via the process of identification, the Ego being the result of identifying with one's own specular image.
the Mirror Stage introduces the subject into the Imaginary order.
Outcomes:
1.Interactive Website/DVD.
2.Two Video works.
Media:
1.Using Flash and Photoshop to do a interative project.
2.Using Digital Video and software (such as Premiere,AE...) to edit movie.
Methodologies:
Two videos which can communicate together.
Like this project: Doug Aitken: sleepwalkers
Risk assesment:
Timetable:
Tuesday, 16 October 2007
1w5 Consumption Utopia and New Chinese Literature
"Literature can make life better, like the function of art. Both of them save us from boredom and emptiness.
"the challenge of writing is: to find new ways of expressing and describing the relations between people and reality."
The Asian "candy generation" are busy buying apartments and shopping, they enthusiastically respond too installment plans and long for becoming a part of the mainstream of life. The purpose of novels by Hu Fang is not to research them, but to image them. Hu Fang, along with other young Chinese writers, hope to express their own voice. Not to agree with, but think deeply about the transformation of Chinese modern life.
"Utopia" has been a symbol of revolution and idealism in a certain Chinese historical period, but what does it mean now? Just as Zheng Guogu said: "consuming is ideal; consuming is piquant."
(He Tian)
Tuesday, 9 October 2007
1w4 Whose Utopia?--chinese artist cao fei
Whose Utopia
1w4 Eden-- Life and death in the artificial ecosystem
eden was inspired by time spent in the wilderness of Litchfield National Park, Northern Territory, Australia.
The creatures can see (at short distances) and hear. The sounds you hear while eden is running are the sounds the creatures make. They can recognise the tonal ‘colour’ of the sound they hear and identify its direction. Through evolution, the creatures learn to make sounds and to hear the sounds of others. The work generates a sonic landscape that is experienced by people within the installation space while eden is evolving.
Sound is only made by a creature if it improves survival.
eden could be considered an artificial life world that uses sound, or a generative composing system for experimental sound and image. One of the aims of the work is to exploit the emergent properties that result from the relationship between the people who experience the work and the open-ended nature of artificial evolution.